I Went Looking for Moose. I Came Home Half Naked.

Photography © Packy Savvenas The Greek Mountain Man • All Rights Reserved

I had been feeling a little down that morning.

Life felt heavy.

Work. Health. Everything we have been through. One of those mornings where you sit there wondering how much more energy you really have left.

Then Grand Teton reminded me that apparently the cure for thinking too much is having one of the biggest bull moose you know run past you close enough to move the air.

But I am getting ahead of myself.

The evening started somewhere I had never been before.

New country

I decided to explore a completely different piece of the park.

The Tetons were sitting out in the open behind everything.

Water was everywhere.

Not little puddles either.

To get through this country, we had to keep working around channels, walking through water, finding dry patches, then stepping back into the river again.

It was beautiful.

The kind of place where you immediately understand why moose would want to be there.

Water.

Willows.

Cover.

Food.

And enough open country that when the light hits, the Tetons sit behind the whole thing like somebody painted them there.

Then we came upon two photographers.

And immediately, everything got stupid

We had not even walked in front of them.

We were going to ask first.

Before we could, they started yelling.

Do not walk in front of us.

Do not go there.

Do not ruin our photographs.

And within seconds, everybody was irritated.

The entire mood changed.

Which bothered me for another reason.

There were moose everywhere.

A big bull.

Three cows.

A calf.

All of us were standing in the middle of their evening.

I believe animals read us more than we understand.

I cannot prove that the tension between a few photographers changed anything those moose did next.

But after years around wild animals, I believe they notice far more than we give them credit for.

Movement.

Voices.

Body language.

Pressure.

And I suddenly realized that all of us needed to calm the hell down.

So I walked back over

I introduced myself.

“Hey, I’m Packy.”

I apologized for my part in everything.

I told them I wanted everybody to have a good evening.

We were all photographers. We were all standing in an unbelievable place. Nobody needed to turn it into a fight.

And something funny happened.

It worked.

The temperature came down.

We separated, gave each other room, and later those same guys ended up hanging around with us for a while.

For a few minutes, everything became peaceful again.

The wild apparently took that as its cue to completely lose its mind.

Then the cows started going at it

We were working both sides of a river channel.

Cows on one side.

More moose across the water.

The bull nearby.

Then two cows started challenging each other.

I cannot tell you exactly what their argument was about.

The rut is building, Fremont was there, and everybody in that little piece of river country seemed to have an opinion.

Suddenly cows were running.

They would move toward our side and we would move across the water to give them the line.

Then the action changed and we would have to rethink everything again.

This stopped being a photography session.

It became traffic control where every vehicle weighed half a ton and nobody had brakes.

Fremont, one of the large bull moose photographed in Grand Teton National Park, stands in shallow river water surrounded by brilliant yellow and orange fall foliage during the beginning of the moose rut.

Then Fremont ran

Fremont is one of the biggest bulls I know in Grand Teton.

And when a bull that size decides he is going somewhere, he does not look fast until you realize how much country disappeared between you and him.

He took off.

Right toward my side.

For a second, all I could see was bull.

Antlers.

Shoulders.

Legs moving through water.

I started moving because I wanted out of his route.

Then I stopped long enough to understand what was actually happening.

He was not hunting me down.

He wanted through.

That distinction matters, but it did not make the moment feel any smaller.

Fremont passed close enough that I could feel the air move from his body and those enormous paddles.

That is much closer than I ever want to be, and it is not something I would tell anybody to recreate.

Then, for reasons I still cannot completely explain, my feet disappeared.

And down I went

Into the river.

Camera.

Bag.

Phone.

Me.

Everything.

I came back up completely soaked while the moose continued carrying on like my personal disaster had absolutely nothing to do with their evening.

Which, honestly, it did not.

I had bear spray accessible because we were deep in bear country, but the real answer that evening was space.

Move when the animals move.

Keep their route open.

Do not let the photograph convince you that you own the ground in front of them.

And definitely do not assume that because you know wildlife, wildlife has agreed to your plan.

We still had to get out

The crazy part was that the night was not over.

The moose kept moving.

The cows were still challenging each other.

Fremont was still working through the country.

The river that had looked beautiful an hour earlier was now part of the escape route.

There were moments where we had to stop, read what the animals were doing, and choose another way out.

Nobody was controlling this anymore.

Not the photographers.

Not me.

The moose had taken the evening back.

And maybe that was exactly what needed to happen.

I needed that night more than I knew

That morning, I had been depressed.

Life felt hard.

By the end of the night, I was soaked to my underwear, checking whether thousands of dollars of camera equipment had survived, laughing about the fact that I was probably driving home half naked, and feeling more alive than I had all day.

That is what the wild does to me.

It does not solve every problem.

It makes the world bigger than the problem.

For a few seconds beside Fremont, there was no yesterday.

No tomorrow.

No email.

No software.

No illness.

There was a river, a giant bull, cold water, and the very immediate problem of getting the hell out of his way.

Sometimes perspective comes gently.

Sometimes it has paddles.

This is why I keep going back

I did not get every photograph I wanted.

Actually, I probably missed some of the best photographs I could have taken because I refused to walk through another photographer’s frame when tensions were high.

That is fine.

There will be another night.

Another river.

Another bull.

The photograph is never worth turning the whole place ugly.

And the photograph is definitely never worth changing an animal’s route just because you want its face pointed at your lens.

Grand Teton requires at least 25 yards from moose and most other wildlife. If an animal unexpectedly closes that distance, you are supposed to create space again as soon as you safely can.

I was reminded of exactly why that rule exists.

The map can lead you into the country. The wild decides what happens next.

This was a completely new piece of country for me.

Now I know more than I did yesterday.

I know where the water runs.

I know where the moose moved.

I know where the evening light hits.

And I know there are parts of it where a route can change in seconds.

That is the kind of field knowledge that eventually makes its way into the interactive wildlife map, sometimes as a broader corridor rather than an exact point when I believe the exact place would create unnecessary risk or pressure.

The map can help you understand where to begin.

It cannot tame Fremont.

Thank God.

I went looking for moose.

I came home soaking wet, almost naked, and very much alive.

Keep wildlife wild.

Independent project. Not affiliated with the National Park Service.
Always follow posted park rules and ranger guidance when viewing wildlife.

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